From: nenslo <nenslo@yahooX.com>
Newsgroups: alt.slack
MY CULT FILM HORROR: I saw Years of the Beast
[Written in 1996]
And how it happened. All revealed to you now by O Nenslo
The sign out front of Victory Christian Center said
they were showing
a movie called Years of the Beast, Sunday at 6PM. So
I admit I was in
church on a Sunday but in my defense let me assert that
I was ON DRUGS
all the while, and that I mumbled Hail Satan a couple
of times.
That aside, my experience was this:
Victory Christian Center looks like a shed on the outside
and a
renovated hayloft on the inside, and there is not a
picture of
ANYTHING in there. Not one religious symbol of any kind
that I could
see, anywhere.
I sat in one of the pews, not near enough to anybody
to bother, and I
only had to shake hands with a couple of guys who were
wandering
around being greeterly. I asked one if this was a prophecy
movie. He
didn't know. He asked Gary, who didn't know either,
but who did know
that this was the third one of a try-ology of movies,
the previous
being Mark of the Beast and Distant Thunder and they
were about the
end times so yes, it was a prophecy movie. The thirty
or so folks
there looked to be Hardcore Normal and from what I heard
and what got
said to me and what I could see with my own eyes I would
have to say
in the kindest possible way that not many of them seemed
any too
bright. Or I guess they wouldn't be there would they.
The action looked like beginning when some necessary
people started
arriving, whom I soon learned were members of the five
piece combo
which littered the far end of the shed, behind the pulpit.
Yes, a five
piece combo; Lady Keyboards in a black pants-suit and
grim dome of
hairdo - a VAST lead guitar, HUGE FELLOW - then a bass,
sax and
drummer of much less interest. They were quite loud
enough to hear,
and obviously very ... sincere... ahem.
I felt a strange thrill when I saw we were all going
to Praise the
Lord together! They picked an easy and popular hymn,
Power in the
Blood, and damned if everybody else wasn't all on their
feet beltin it
out, crying Yes Lord Halleluiah and sticking one hand
up! I swayed
gently, out of sympathy, as they praised the Lord for
the Wonder
Working Power in the Blood of the Lamb. I guess I was
the only one
sitting but figured what the hell, no man can serve
two masters. They
went into a slower one after that, but when it came
time to end the
song - the band quit ... but the audience DIDN'T. They
kept right on
praising the Lord, every one of them except maybe the
kids moaning
some kind of Thank You Lord, Yeeesss Jesus, Halleluiah!
They just kept
going and going. Astonished? Wasn't I! The formula seemed
to be they
die down after a decent interval until they get down
to the leader who
carries the praising on for a minute or two and Bump!
Amen! Now let's
get that movie going.
They sure tried to get the movie going. The video I
mean because they
had a big old vacuum-cleaner looking thing hanging by
chains up by the
ceiling, which was a video projector beaming a bluish-grey
square with
an amoeba in it on the wall above the drumset while
somebody read a
quote from Goethe's Faust. Then some other guys went
up and started
poking around in silhouette, and the picture of the
amoeba was
replaced by blankness, enlivened by the sound of a Toyota
advertisement. I was sitting in the dark, in church,
ON DRUGS,
listening to Goethe and a Toyota ad, and loving it.
That was when I
mumbled Hail Satan the first time, with the utmost reverence
and gratitude.
Finally they get the damn thing going, and get past
the introductory
crap which does indeed have a guy quoting Faust and
quite badly too
which is sad because he's the star of the movie GARY
BAYER, and it
gets started - YEARS OF THE BEAST, made in Seattle Washington
by one
Paul Thomas, Director, for Skyline Productions 1981.
Based on the
novel by Leon Chambers. [This is one of the seven apocalyptic
novels I
have had to read.]
Years of the Beast is a drama of the fulfillment of
Christian
Apocalyptic Prophecy, centering on an unemployed intellectual
with
wife and various supporting roles who must deal with
the societal
decay which results from the World Government of Antichrist
after all
True Christians have been spirited off in The Rapture
to go live with
Jesus in the New Jerusalem until his Second Coming.
Specifically they
had to deal with The Sheriff who takes his job seriously.
The Heavy.
He's the law, but sometimes he's a law unto himself.
That's what Ol'
Pete says at one point. Just Call Me Pete. A bit odd
but still got a
lot on the ball.
The rapture scene was just a little earthquake and
Hey! Where'd
Professor Slopkowitz go? Nothing left but his nutty
treatise on
Biblical Prophecy - and a neat pile of clothing. I'm
waiting for the
"graves exploding open in a shaft of brilliant
light as the Dead In
Christ burst heavenward in Glorious Array to meet their
King" movie.
I always want to SEE folks having to Take The Mark
of the Beast on
their hand or forehead or better yet refusing at the
last minute, to
be shot point-blank and tumbled in a ditch, but I guess
I have too
many expectations. They didn't have any of that in this
movie. This
one fell back on the radio shot quite a bit. Stock shot:
vast crowd.
Long shot: Prince of the World standing on top of a
wall, waving.
Medium shot: radio. The radio speaks: Yes, folks there
are thousands
of people, all chanting in unison, "Who is like
the Prince of the
World?" Oh, it's an amazing sight, yessiree....
The dullness of the plot was relieved by plenty of
radio shots,
dialogue, stock footage of an atom bomb, and the gunning
down of The
Dobbs Family by the Sheriff for hoarding food and making
a break for
it. I saw this. I watched the Dobbs family die, and
spoke not a word.
Remember what happened to the Dobbs family. Soon thereafter
Seattle
was destroyed by an irrational rain of fire via a matted-in
cloud-tank
sky and some glare effects. Really.
So, after an especially dull interlude which lacked
only the gorilla
suit to be a Bigfoot Movie, with the Sheriff chasing
folks through the
woods with dogs and driving around in a big truck and
causing the
semi-inspiring deaths of certain main characters, the
survivors go off
in the high woods poking around on top of some mountains
for long
enough for the guys to actually grow little beards when
to the
astonishment and merriment of all viewers myself included
who should
appear but The Evil Sheriff now seemingly both Insane
and Plague
Infected climbing a sheer cliff in cowboy boots with
a LOADED SHOTGUN
IN HIS HAND up to where the good guys are sitting on
top of a mountain
SINGING ABOUT JESUS but before he can get off his first
shot the sun
starts to get very bright, shooting off brilliant piercing
arrows of
glaring light which make the Sheriff miss his first
shot and turn
screaming to fire into the sky and topple off the cliff
to his death!
Then some of those fast grey clouds come rolling across
the sky and
FLYING SAUCERS come zipping zooming down out of the
clouds screaming
like skyrockets, dozens of them, and we get some reaction
shots of
people looking ecstatic and more shining golden flying
saucers and
inspiring grand orchestration and beams of light from
the sky until it
gets so bright and glorious there's nothing left to
do but fade in an
inscrutable bible verse. I guess that was the second
coming, and those
flying saucers were really angels but it was all a bit
unexpected and
jumbly. Pretty good finish though, even if it wasn't
strictly
biblical.
Whereupon I made my departure in order to avoid further
praying.
To conclude, this film does okay on the infinitely
sliding Nensletic
Scale of Filmic Analysis, containing both flying saucers
and an
a-bomb, two of the Four Vital Contents necessary for
Film Enjoyment.
With the added benefit of the destruction of a major
American City and
extra points for being a religious fantasy I feel that
the remaining
two Vital Contents, tits and a monster suit, can be
relinquished with
relatively little regret. The experience as a whole
was quite
rewarding.
Thank you.
Original file name: YEARS OF THE BEAST review - converted on Monday, 21 July 2003, 13:39
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