From: "Rev. Ivan Stang" <stang@subgenius.com>
Newsgroups: alt.slack
Date: Tue, Jul 2, 2002 7:24 PM
From the Cleveland Plain Dealer today, 7-02-02
http://www.cleveland.com/artsandevents/plaindealer/index.ssf?/xml/story.
ssf/html_standard.xsl?/base/entertainment/102560229545860.xml
(you might have to cut a line break out of that URL)
CSU lecturer lives the music as a performer, historian,
author and
radio personality
07/02/02
Clint O'Connor
Plain Dealer Reporter
Chas Smith's "Roots of Rock and Soul" class
at Cleveland State
University is quite popular.
And not just because you get to listen to CDs and watch
videos. It's a
hit because students learn about the cultural evolution
of rock 'n'
roll from an actual working musician who imparts the
wisdom they most
want to hear: Go away.
From Our Advertiser
"I tell students, The best thing you can do is
drop out. Go see the
Grand Canyon, see the Grand Tetons, travel. See the
country. It's OK,
because we'll be here when you get back.' "
At least one undergraduate has taken his advice. "I
tell them to do it
before they get married and have kids," says Smith.
"Because then it's
over. Nature is done with you."
Part performer, part philosopher, Smith looks like his
punk-rocker
roots. He is razor thin and comes in one flavor: black.
Black shirt,
black pants, black boots, black leather jacket, black
sunglasses, black
hat.
He encourages students to take piano lessons, or grab
a guitar or
harmonica just to "have some music in your life."
Smith, 44, whom everyone calls "Chazz," is
hell-bent on teaching his
charges that modern music did not begin with MTV videos.
Although he is
quick with a joke, a smile and a laugh, he is serious
about his role as
a guardian of the authentic, turning them on to 20th-century
gospel,
hillbilly, bluegrass, blues, soul and funk.
Exhibit A in the evolution of rock is the Rolling Stones.
They aren't
just about Mick Jagger sticking out his tongue and shaking
his butt
(though Smith is happy to strut, Jagger-like, about
the stage of CSU's
main classroom auditorium). He dissects a Stones album
by points of
origin: Chicago blues, Delta blues, country, bluegrass.
To understand the Stones you need to understand Chess
Records in
Chicago and Muddy Waters. To understand Jagger's onstage
antics, you
must study James Brown. He declares the Stones "the
greatest rock and
roll band of all time," then downshifts into a
discussion of what he
sees as the beating heart of the aging band: the love
between Jagger
and Keith Richards.
"This is really a story about the greatest friendship
in rock 'n'
roll," says Smith. "Mick and Keith started
in the neighborhood. Yes,
they've had their falling outs, but they're still putting
on a hell of
a show and having fun with it. They're saying to all
of us, 'The road
goes on forever and the party never ends.' "
Smith's own road is a multilane highway.
By day he teaches at CSU, by night he is a rock dude,
fronting his
band, Einstein's Secret Orchestra. He hosts a weekly
radio show, "ESO
Radio" on WCSB FM/89.3, Thursdays from 11 p.m.
to 1 a.m. He has written
a book, the text of his class, "From Woodstock
to the Moon: The
Cultural Evolution of Rock Music." In between he
is the PR and
marketing director for a software company.
Where is the real Smith in all of this? "I see
it all as one thing -
public speaking, public relations, performing,"
he says. "You're still
trying to reach people. I'm a total extrovert. Getting
up in front of a
class is no different to me than playing in rock bands."
And he's been playing in them since he was 14.
Raised in Wickliffe, Smith got hooked on music in the
ninth grade,
going to dances at St. Joe's auditorium and seeing bands
like the James
Gang and Rainbow Canyon. One night he fell in love with
the big-mother
amplifier of an organ and that was it - he became a
keyboard player.
He was booted from St. Joe's after two years, he says,
for an incident
involving fireworks and the track team. He moved over
to Wickliffe High
School where he majored in The Who, the New York Dolls
and the Velvet
Underground. His main musical muses were Lou Reed and
Frank Zappa.
"The smart-ass side of me was into Frank Zappa,"
says Smith. "The more
heartfelt musical side of me comes from listening to
Lou Reed songs."
In addition to keyboards and synthesizers, Smith sings,
plays bass,
theremin, and writes, produces and arranges songs. He
has a very
laid-back, non-BS, life's-too-short approach to the
world. And for good
reason. At 19, he was diagnosed with Hodgkin's disease.
An operation to
remove a tumor in his neck led to months of radiation
treatments. He
has been in remission for more than 20 years.
"After that you can't play the game anymore,"
he says. "You can't
argue; you can't worry about all the petty stuff."
When the punk scene exploded in the late '70s, Smith
joined The Clocks
and later The Pagans. After banging around with bands,
and 10 years
after high school, he decided to enroll at CSU to study
anthropology.
He switched to music composition and picked up a bachelor's
and a
master's degree.
As a student he worked for the college radio station
and launched ESO
Radio. "There was a book out at the time - 'Extended
Sexual Orgasm' -
and I was trying to be a smart-ass, provocative college
student, so I
asked the audience 'What is ESO?' "
Somebody guessed Einstein's Secret Orifice. Smith changed
it to
orchestra and the name has stood for 16 years, on his
weekly radio show
and his experimental, ever-evolving band that is hard
to categorize
("Two years running we won the Free Times Readers'
Poll for Best
Instrumental-slash-Electronic Band," reports Smith
drolly, "though we
are neither.")
ESO (posing as Einstein's Secret Outlaws) recently headlined
a tribute
to the late Cleveland punk pioneer Peter Laughner. It
was in the Tavern
of the Beachland Ballroom, usually a happening place.
But it was a hot,
muggy Sunday night, with some boring bands, and by the
time ESO blasted
on stage, it was 12:22 a.m. and only a few of the faithful
bothered to
stick around.
"It's hard to get up the energy," said Smith
surveying the dwindling
crowd. "When you're playing before 500 you feed
of the audience. It's
hard to play for 28 sleeping people."
On stage, Smith wears a smirk, putting the audience
at ease and never
taking himself too seriously. Despite the crowd, ESO
pumped out some
rock, country, Monkees-cover punk, and some
atomic-sci-fi-outer-limits-cable-access tape recorded
pronouncements
from guitarist Dave Deluca ("Lonesome Cowboy Dave"
on the radio show).
The evening concluded with a cover of "I Fought
the Law," and a male
audience member sprawled on the floor in front of the
stage. There was
a full moon.
This coming weekend Smith and ESO travel to the Brushwood
Folklore
Center in western New York (about a two-hour drive from
Cleveland) for
the fifth annual X Day festival.
Smith's many affiliations include one with the Rev.
Ivan Stang, the
"sacred scribe" of the Church of the SubGenius.
The church, a sort of
tongue-in-cheek religion and nightclub act, hosts "devivals,"
and Stang
and Smith are X Day regulars.
Weekend veterans describe the proceedings as a mix of
nudists, sci-fi
geeks, pagans, druids, Wicca people, bonfires, hot tubs
and music. "I
like the community of the festival," says Smith,
who has an elaborate
encampment at Brushwood.
"Chazz is a very well-rounded guy," says Stang.
"He values every second
he's up on his feet."
Especially when those feet are bouncing across a stage.
"Teaching is almost like a mission and I love that
- exposing the kids
to the music. But compared to being a rock and roll
diva for the
night," says Smith, pausing a beat for the big-grin
and payoff, "I'll
take being a rock and roll diva."
--
4th Stangian Orthodox MegaFisTemple Lodge of the Wrath
of Dobbs Yeti,
Resurrected (Rev. Ivan Stang, prop.)
P.O. Box 181417, Cleveland, OH 44118 (fax 216-320-9528)
A subsidiary of:
The SubGenius Foundation, Inc. / P.O. Box 204206, Austin,
TX 78720-4206
Dobbs-Approved Authorized Commercial Outreach of The
Church of the SubGenius
SubSITE: http://www.subgenius.com
For SubGenius Biz & Orders: call toll free to 1-888-669-2323
or email: jesus@subgenius.com
PRABOB
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